Thomas Woodall (English, 1849-1926) and George Woodall (English, 1850-1925) |
At the tenth annual Art Purchase Dinner on December 6, the Mowbray Arch Society selected a superb 18-inch tall Woodall Vase in the Chinese Taste for acquisition to the Permanent Collection. Most of the cameo glass that Thomas and George Woodall designed and carved for Thomas Webb & Sons in Stourbridge, England, in the late 19th century, was considered to be in the classical revival style. However, this vase was inspired by Chinese polychrome porcelain from the region of Qianlong - the evidence of which lies in the beautifully carved buds, blossoms, and other flowers. This piece is best understood as an extraordinary example of Chinoiserie, a term given to a fanciful western object that artfully combines and articulates Chinese motifs. Chinese Chippendale furniture of the 18th century is probably the class of Chinoiserie objects best known today. The Chinese produced cameo glass in the 18th and 19th centuries, but incorporated much brighter colors with less controlled carving. The English aesthetic depended on the opposite for its effect. |
The Woodall vase is carefully planned, masterfully carved, and probably took hundreds of hours to complete. While most cameo glass is in two colors, this vase has three layers - opaque yellow, on white, on a translucent raisin-brown background.
In addition to its beauty and rarity, this vase has an interesting provenance. It was purchased by an American collector in the 1940s directly from George Woodall's daughter, Alice. Thus, it is most likely a vase that George Woodall selected for his own personal collection. This remarkable gift of the Mowbray Arch Society will make a wonderful addition to the Museum's outstanding glass collection.
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